Have you ever wondered what teachers discuss in the breakroom when they’re not reading through stacks of student essays and tests? Besides the usual topics of grades or lessons, Mitch and Christina often digress into conversations about movies, music and tv. We’re two English teachers who harbor secret hopes of one day becoming famous entertainment world critics. We know we’re a little obsessed, but we’ve accepted it, even embraced it. We’ve created this blog to invite you to join our conversation.

Welcome to The Breakroom.


Sunday, January 31, 2010

Best Lost Episodes (so far)

This was really, really hard to do because there are so many episodes of this show that I love, and I had such a hard time limiting it to just 10. (I decided to only pick 2 of the season finales because almost all of them could go on here.) So after very careful deliberation here is what I came up with.

10. Expose (Season 3) – There are better episodes than this one, but I had to put it on the list for symbolic reasons. Nikki and Paolo were representative of everything that started going wrong with Lost at the start of Season 3. It seemed like the writers didn’t know where they were going with the story and started introducing random unimportant elements and characters to keep the plot moving along. Eventually they asked ABC to give them a final year for the show, things improved tremendously, and Nikki and Paolo met their demise. Talk about good use of dramatic irony. Only the audience knew they were being buried alive. I think the writers in a subtle way were telling us, don’t worry, we know they were a mistake, we’re burying them now, they won’t be coming back.


9. The 23rd Psalm (Season 2)-- Another episode that focused on a minor character, Mr. Eko, but the writing, especially how his backstory was woven through the episode was very well done. I really liked Mr. Eko, my favorite guy from the tail section (maybe tied with Bernard)…too bad he was a casualty of the smoke monster.


8. The Life and Death of Jeremy Bentham (Season 5)— In this episode we see John’s quest to try to get the Oceanic Six back to the Island. He has a fascinating meeting with Charles Widmore in which Widmore claims to be on John’s side. We get this cryptic comment that “There is war coming.” As John moves through his quest, we see him rejected by each character—he has gone from a leader, and man who everyone listens to, even if they don’t completely trust—to the complete opposite, and it’s so disheartening. He’s that same man in a wheelchair from the first season. We also get a great minor character performance from Lance Reddick who plays Matthew Abaddon. But the moment that puts this episode on the top 10 is Ben killing Locke. I will never forget watching that and being like, really, is this really happening? This guy is absolutely insane.


7. LaFleur (Season 5)-- This might be on here just for Sawyer referring to Richard Alpert as “your buddy with the eyeliner.” Seriously though, it was one just genuinely happy and satisfying episode. I loved getting to see Sawyer take charge and finally let go of his own issues and care about taking care of everyone else. Juliet finally gets to deliver a baby, and I loved her and Sawyer’s scenes together. It proves you don’t have to draw out sexual tension to create a compelling relationship on a t.v. show. I believe in the poll ABC.com of best Lost relationships Sawyer and Juliet beat out everyone else. (Yes, I voted.)


6. The Man Behind the Curtain (Season 3)-- This episode might win as one of the creepiest episodes of Lost. It was our first glimpse into Ben’s backstory. We see how he got to the Island, and then how he killed the whole Dharma Initiative including his father. It was just the beginning of the madness. In the present time Ben leads John to the cabin, and we see our first glimpse of Jacob. (That freaked me out, and I couldn’t sleep that night.) Then we see Ben shoot Locke and leave him for dead. This episode both elevated Ben’s complete evilness, but also gave us the smallest hit of a motive in what he has done (just a little). It’s also the first time we realize that Richard Alpert doesn’t age.


5. There’s no Place like Home (Season 4 Finale)—we finally see how our Oceanic 6 make it off the Island. Another roller coaster of emotions. We go from shocking (and satisfying): Ben killing Keamy to heartbreaking: watching Sun scream for Jin when she thinks he blew up on the Freighter to happy: Des and Penny Reunite. It's one of those episodes that remind you that while the plot is starting the get very crazy, this show is really all about the characters.

4. Walkabout (Season 1)—Here’s where we first discover John’s backstory. We don’t up to this point know that he was in a wheelchair before the crash, and finding out in the final flashback that he is, hearing his scream, “Don’t tell me what I can’t do!” makes you see the few episodes that have come before differently. The rest of the season nobody knows but us about his past. At the end of the episode, they play the aftermath of the crash again, and you know that while everyone else is running around in chaos, he is trying to comprehend the new life he has been offered. One of the last shots is of him running to help Jack save someone. And it’s such a powerful moment. He finally gets his chance to be someone important. The episode ends with the survivors burning the wreckage, and Locke watching his wheelchair go up in flames.

3. Pilot (Season 1)-- The filming/writing was amazing in those first few moments of the show: seeing Jack's eye open, not knowing exactly what was going on, watching him run through the jungle and then the wide shot of the wreckage and chaos on the beach. We were feeling the same disorientation the characters were.  Slowly things calm down, we start to get to know some of the characters, and then the jungle starts making crazy sounds. You could tell from the first episode of this show that it was going to be something like you've never watched before.

2. The Constant (Season 4)–The most perfectly written flashback Lost episode. We see the beginning of Desmond’s relationship with Penny and get our first hint of the time travel issues that we were going to have to deal with in Season 5. The idea of a constant is an interesting plot device and to know that Desmond’s is Penny made you love both of them even more than we did already. That phone call when she picks up the phone and saves his life was such an beautiful moment. Don’t tell me you didn’t get teary eyed!

1. Through the Looking Glass (Season 3) – One of the most suspenseful, surprising, sad, amazing episodes of television ever. So many fantastic moments: Charlie sacrificing his life for Desmond and writing on his hand “Not Penny’s Boat,” Juliet, Sawyer and Hurley (Hurley’s great blue van moment) defeating some of the evil Others, Locke in his final attempt to stop everyone for leaving the island by throwing a knife into Naomi’s back, and finally, that moment at the end of the episode, when we see Jack confront Kate at the parking lot, and we realize this whole episode we have been seeing flashforwards and not flashbacks. What a brilliant moment of storytelling. And the best last line, “We have to go back, Kate. We have to go back!” Still gives me goosebumps!

4 comments:

  1. I had a feeling we would have a lot of favorite episodes in common! My top 10 is:

    1. Through The Looking Glass
    2. The Constant
    3. Catch-22
    4. Pilot
    5. Walkabout
    6. Catch-22
    7. The Life and Death of Jeremy Bentham
    8. Exodus
    9. The Man Behind The Curtain
    10. Numbers

    There's no way I can write a detailed explanation for my list. I'm mainly going on what I remember feeling after each episode. Like Matt, I'm definitely going to revisit the whole show after it's all over. I guess we'll both be borrowing from Ross.

    I don’t think enough can be said about “Through The Looking Glass”. Putting it into context, Season 3 featured some moments where it seemed that Lost was creatively bankrupt. Nikki and Paolo may have represented the writer’s acknowledgement that they were out of ideas, but I think the rock bottom episode was “Stanger in a Strange Land”. This was the one where Jack goes to Thailand, and his tattoo is explained. An argument can be made that “Expose”(Nikki and Paolo) worked ok as a stand alone episode. I think “Stranger In a Strange Land” was worse because it showed that the flashback technique was finally running its course. It seems so easy in retrospect to see how looking at life after the island was the answer for Lost’s creative problems. You know how shows “jump the shark” when they cross over to the ridiculous and are never popular again? This was the antithesis to jumping the shark. There should be a word created for it based on this episode. Maybe we can say “Wow. That show really just flash-forwarded” when it seems like a series is going downhill only to completely revitalize itself.

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  2. Great summaries. Mostly agree with everything. Complete agreement with the top 2 episodes... and I would argue "Expose" was a terrific stand alone episode, and for that reason I would actually rank it much higher (outside of the top 2 episodes, I might have enjoyed it the most, but it does lose points for not staying on series point.)

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  3. I'm with you Mitch--"Stranger in a Strange Land" might win the award for worst Lost episode ever. I wonder if there are many series that have "flash-fowarded" and picked themselves up from what looked like collapse? Is that what happened with the Sopranos after the first half of season 6?

    --Christina

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  4. I think what happened to Sopranos is somewhat similar to Lost. With The Sopranos, David Chase was ready to end it the 6th season. When it was decided there would be a 7th season, Chase had to create some filler episodes, so the last 7 or 8 episodes would unfold the way he wanted it to go. As a result, the last half of Season 6 either went nowhere or storylines progressed way too slowly. I think I read that "Stranger In A Strange Land" was an important episode because it made the writers realize they needed a fixed ending date so they could pace the rest of the story. That's why the middle of Season 3 kind of stalls the same way season 6 of the Sopranos did. The last stretch of the Sopranos that is officially called Season 6 Part II is completely different from Season 6 Part I. I think there are themes and motifs that start with "Sopranos Home Movies" that make it clear that Season 6 part 2 should just be judged as a separate season. I don't want to give anything in the final season away since you haven't seen it, but I'd consider "Sopranos Home Movies" a subtle flash forward moment.

    I never watched Heroes, but what I remember is that leading up to the first season finale, it was just as popular, if not more popular, than Lost. Then the disappointing Heroes finale aired the same night as "Through The Looking Glass". Ever since that night, both shows went in opposite directions as far as popularity and acclaim.

    Are there any other examples of tv series that flash forwarded and was somehow re-energized? I've heard that The West Wing knid of saged in its middle seasons before rebounding in the last few seasons. Is this true anyone? Did the same happen with NYPD Blue? Regardless, I think Lost might end up being the best example of a show that suddenly regained all its momentum largely due to one great episode.

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